| Cervantes in England: The Influence of Golden-Age Prose Fiction on Jacobean Drama, c.1615-1625. (publication)
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| Cervantes, Herodotus and the Eternal Triangle: Another Look at the Sources of El curioso impertinente.
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| Review of A. Fernández de Avellaneda, Don Quijote de la Mancha.
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| Review of A. Fernández de Avellaneda, El ingenioso hidalgo Don Quijote de la Mancha.
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| Review of Alan C. Soons, Haz y envés del cuento risible en el Siglo de Oro.
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| Review of Bruno Mario Damiani, Montemayor's ‘Diana’, Music and the Visual Arts.
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| Review of Carroll B. Johnson, Inside ‘Guzmán de Alfarache’.
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| Review of F. García Lorca, De Fray Luis a San Juan - la escondida senda.
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| Review of Harry Sieber, The Picaresque.
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| Review of James Iffland, ed. Quevedo in Perspective.
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| Review of Juan de Timoneda, El patrañuelo.
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| Review of K. Khalaili and B. Marina, English Phrasal Verbs in Spanish.
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| Review of Lope de Vega, Fuente Ovejuna. El caballero de Olmedo / Tirso de Molina, El burlador de Sevilla. Marta la Piadosa
/ Pedro Calderón de la Barca, El príncipe constante.
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| Review of Osvaldo Rodríguez Pérez, La novela picaresca como transformación textual.
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| Resistance to Rape in Persiles y Sigismunda and The Custom of the Country. (publication)
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| Review of A.A. Parker, Los pícaros en la literatura: la novela picaresca en España y en Europa (1599-1753).
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| Review of A.A. Parker, The Philosophy of Love in Spanish Literature 1480-1680.
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| Review of Ana María Snell, Hacia el verbo: Signos y transignificación en la poesía de Quevedo.
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| Review of Anthony Pagden, The Fall of Natural Man: The American Indian and the Origins of Comparative Ethnology.
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| Review of C. George Peale, La anatomía de ‘El diablo cojuelo’: Deslindes del género anatomístico.
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| Review of Dario Fernández-Morera, The Lyre and the Oaten Flute: Garcilaso and the Pastoral.
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| Review of Diego Duque de Estrada, Octavas rimas.
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| Review of Elias L. Rivers, Garcilaso de la Vega: Poems.
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| Review of Howard Mancing, The Chivalric World of ‘Don Quijote’: Style, Structure and Narrative Technique.
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| Review of J. Wesley Childers, Tales from Spanish Picaresque Novels.
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| Review of Julián Olivares, The Love Poetry of Francisco de Quevedo: An Aesthetic and Existential Study.
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| Review of Marina Scordilis Brownlee, The Poetics of Literary Theory. Lope de Vega's ‘Novelas a Marcia Leonarda’ and their
Cervantine Context.
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| Review of Monique Joly, La Bourle et son interprétation. (Espagne, 16/17 Siècles).
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| Review of R.B. Tate, ed. Essays on Narrative Fiction in the Iberian Peninsula in Honour of Frank Pierce.
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| Review of William Ferguson, La versificación imitativa en Fernando de Herrera.
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| Review of Anthony J. Cascardi, Ideologies of History in the Spanish Golden Age.
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| Review of Arthur Terry, ed. Tirant lo Blanc. New Approaches.
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| Review of Barry Jordan and Rikki Morgan-Tamosunas, Contemporary Spanish Cinema.
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| Review of Benito Pérez Galdós, trans. Abigail Lee-Six, Tormento.
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| Review of Els Joglars, 'Yo tengo un tío en América' (Riverside Studios).
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| Review of Federico García Lorca, 'Blood Wedding' (Lyric Hammersmith).
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| Review of Federico García Lorca, trans. John Edmunds, Four Major Plays.
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| Review of Federico García Lorca, ‘Doña Rosita the Spinster’ (Almeida Theatre).
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| Review of Federico García Lorca, ‘Mariana Pineda’ (Gate Theatre).
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| Review of Fernando de Rojas, 'Celestina' (Lyric Studio, Hammersmith).
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| Review of Javier Reverte, Dios, el diablo y la aventura.
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| Review of Lope de Vega, 'Madness in Valencia' (Gate Theatre).
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| Review of Lope de Vega, ‘The Jewess of Toledo’ (Bridewell).
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| Review of Luis Buñuel, An Unspeakable Betrayal.
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| Review of Mario Vargas Llosa, 'The Madman of the Balconies' (Gate Theatre).
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| Review of Mark Kurlansky, The Basque History of the World.
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| Review of Marsha Kinder, Luis Buñuel’s ‘The Discreet Charm of the Bourgeoisie’.
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| Review of Miguel de Cervantes Saavedra, ed. Francisco Rico, Don Quijote de la Mancha.
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| Review of Miguel de Cervantes Saavedra, ‘El Quijote’ (Gate Theatre).
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| Review of Nick Ward/Giovanni Boccaccio, ‘The Decameron’ (Gate Theatre).
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| Review of Pedro Almodóvar, All About My Mother.
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| Review of Pedro Almodóvar, Live Flesh.
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| Review of Pedro Calderón de la Barca, 'The Painter of Dishonour' (The Other Place, Stratford-upon-Avon).
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| Review of Pedro Calderón de la Barca, 'The Painter of Dishonour', a new version by David Johnston and Laurence Boswell.
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| Review of Peter William Evans, ed. Spanish Film. The Auteurist Tradition.
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| Review of Ramón del Valle Inclán, ‘Silverface’ (Gate Theatre).
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| Review of Ramón del Valle-Inclán, 'Bohemian Lights' (Gate Theatre).
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| Review of Tirso de Molina, ‘Don Juan’ (BAC Theatre).
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